Electric Guitar Specifications

Electric Guitar Specifications

This is a "top-down checklist" for the assembly of a solid-body electric guitar. It can help you to build a guitar with specific sound and playability characteristics. Please read licence and the contribution guidelines before contributing.

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Sound and Playability Influencing Factors

Component	Sound*	Playability*
Guitar Neck	+	++++
Guitar Body	+	++++
Guitar Electronics	+++	-
Strings	++	++
Scale Length	+	+
Woods (Body, Neck and Fretboard)	+	+

*influence ( "-" stands for little, "++++" stands for very strong)

For example, for building a solid-body 'jazz-sounding' guitar you have to choose (top down by importance):

• vintage or jazz pickup with convenient po­ten­tiomet­er and capacitor values
• flatwound strings
• massive neck, hollow body with wood such as mahagony
• shorter scale length

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Guitar Necks

Neck thickness, neck width, neck contour and fret wire size affect playability and are a matter of personal taste. Important for good playability is balanced interaction of these components. Thicker neck often creates warmer tone.

usacustomguitars.com/necks - many neck shape and thickness combinations
musikraft.com - additional information for understanding of neck features.

Neck Profile

Neck Profile is the combination of contour (C, U, V , asymmetrc) and thickness (.0750" - 1")

Contour	Thickness	Warmoth*	Fender*	Gibson*
D	thin	Wizard	D Shape
C	thin/medium	Standard Thin	C Shape (AM Std)	Traditional C
C	medium	59 Roundback	Deep C	Round C (1959 LP)
U	thick	Fatback	U Shape (Vintage Tele)
V	thick	Boatneck	V Shape (Vintage 52 Tele)
asymmetrisch	medium	Wolfgang	Modern C

*warmoth - Warmoth Neck Profiles
*fender - see "NECK SHAPE" Filter
*gibson forum - Gibson Neck Profiles

Neck Nut Width and Nut Slot Spacing

Category	Neck Nut Width	e1/E6
Many Fenders from Japan	41 mm (1-⅝")	approx. 34 mm
Standard	42,9 mm (1-11/16")	approx. 35 mm
Acoustic analog	44,5 mm (1-¾")	35 mm till 37,5 mm
Superwide (Warmoth)	48 mm (1-⅞")	approx. 40 mm

The real e1 to E6 string spread can be controlled not only through nut width, but also by slot spread in the nut. For example, 44.5 mm wide nut can have e1 to E6 distance between 35 and 37.5 mm.

Category	String spacing	e1/E6	e1 to edge	Neck nut width
Narrow string spread	7 mm	35 mm	4.75 mm	44,5 mm (1-¾")
Medium string spread	7.3 mm	36.5 mm	4 mm	44,5 mm (1-¾")
Wide string spread	7.5 mm	37.5 mm	3.5 mm	44,5 mm (1-¾")

graphtech - sizing guide and pre-slotted nuts

Neck Heel Width and Mounting

Most guitar parts manufacturer adopted Fender's® neck heel and neck pocket dimensions:

• 56 mm (2-3/16") - Width
• 76 mm (3") - Length
• 16 mm (⅝") - Pocket Depth

These dimensions are not a standard. Only careful measurement ensures that your parts will be compatible.

Strat necks have a rounded base to their heel and Tele necks have a squared-off base to their heel, which makes it difficult to interchange the two types of necks across various bodies.

Standard Fender heel mounting is done with 4-Bolt Holes - ⅛" (3mm) diameter (spread of 2" x 1-½").

Fretboard's Radius

Smaller radius means a more rounded shape.

• 7-¼" - "Vintage" Fender®
• 9-½" - "Modern" Fender®
• 10" - Gibson®/PRS®
• 12" - Ibanez®
• 16" - Jackson®
• compound (10" - 16") - Warmoth® and others

youtube.com - understring radius gauges - video demonstration of three different gauges used for guitar setup and fretwork: standard, notched and understring.

Fret Sizes

Title	Width	Height	Example
Small	narrow	low	vintage Fender
Me­di­um	narrow	high	many Martins
Medium Jumbo	wide	low	many Gibsons
Jum­bo	wide	high	moderne Fender
High Jum­bo	wide	very high	many Ibanez

lutherie.net - provides an excellent manufacturer/sizes overview.

Common Neck Head Shapes

• 6L - Fender Style - left in line
• 6R - for left-handed
• 3L/3R - "Gobson Stype"
• 4L/2R - "Musicman Style"

Tuner Holes

• approx. 8,7mm (11/32") - "Vintage Fender Style"
• approx. 10mm (25/64" = 9,9mm) - "Sperzel Style",
• approx. 10mm (13/32" = 10,3mm) - "Planet Waves Style"
• approx. 10mm on top and 8,7mm bottom - "Schaller/Grover/Gotoh Slyle"

Small holes can be enlarged with a sunk. Big holes can be retrofited by adapter bushings.

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Guitar Bodies

The sound of electric guitar depends mainly on the vibration behavior of the string itself and the reproduction characteristics of the pickup. The vibration behavior of the string depends (very little) on wood. The body itself is very thick compared to the neck, that is why the body wood type and form have very limited influence on the sound of electric guitar.

music.stackexchange.com - how much does electric guitar's body physics affect the tone and playability.

Body Shapes

The shape of an electric guitar can historically be divided into the following categories:

• ST (Strat)
• T (Tele)
• Single Cut (LP)
• Double Cut (SG)
• Hollowbody
• Other Forms

Bridge And Pickup Routing Overview

• Flat Mount Hardtail (Strat/Tele/Schaller)
• Tremolo (Strat)
• Tune-O-Matic (Gison)
• Other (Jazzmaster®, Jaguar®, Bigsby®, Kahler®, Line 6, etc)

Picture left to right: - American Standard Tremolo Routing and Single Coil Strat Pickup, - Vintage Telcaster Routing and Single Coil Tele Pickup, - Tune-O-Matic Style Routing and Habucker Pickup

callahamguitar.com - technical specifications of some coustom parts.

Flat Mount Strat Routing

               Strat Vintage, Narrow & Standard                   
Sites holes    ...o.o.o.o.o.o...      
Bridge holes   ..o.....o.....o..

Model	E/e	Sites holes Ø	Sites holes distance	Bridge hole Ø	Bridge holes distance
Strat Vintage	57 mm (2 ¼")	3.18 mm (0.125")	10.5 mm (0.413")	3 mm (⅛")	21 mm (.827")
Strat Vintage Narrow	54 mm (2 ⅛")	4.78 mm (0.188")	10.5 mm (0.413")	3 mm (⅛")	21 mm (.827")
Strat Standard	52.83 mm (2.08")	3.18 mm (0.125")	11.3 mm (0.446")	3 mm (⅛")	22.6 mm (.89")

Flat Mount Tele Routing

             Tele Vintage                          Tele Standard         
Bridge holes ..o...o...o...o..      Sites holes    ...o.o.o.o.o.o... 
Sites holes  ...o.o.o.o.o.o...      Bridge holes   ..o.....o.....o..

Model	E/e	Sites holes Ø	Sites holes distance	Bridge hole Ø	Bridge hole distance
Tele Vintage	54 mm (2 ⅛")	3.18 mm (0.125")	10.9 mm (.429")	3 mm (⅛")	21.6 mm (.85")
Tele Standard	54 mm (2 ⅛")	3.18 mm (0.125")	10.5 mm (0.413")	3 mm (⅛")	32.4 mm (1.267")

Flat Mount Schaller Routing

             Schaller Flat Mount
Bridge holes ...o.....o.....o...

Model	E/e	Bridge hole Ø	Bridge holes distance	Dimensions (LxWxH)
Schaller 47X	51 mm - 55,5 mm	3.18mm (0.125")	approx. X	73 x 49 x 12(15) mm

Tremolo Routing

Tremolo "Vintage":         Tremolo "Standard":
..o..o..o..o..o...o...      .....O.......O.....

Model	E/e	Holes	Hole Distance	Hole Ø
Mexico Strat	52,4 mm (2 1/16)	6	52,4 mm (2 1/16)	3 mm (⅛")
Vintage	56,36 mm (2 7/32")	6	55,9 mm (2.2")	3 mm (⅛")
American Standard	52,83 mm (2.08")	2	55,9 mm (2.2")	9,5 mm (.375")
Floyd Rose ("recessed")	53 mm (2-3/32")	2	74 mm (2.913")	9,91 mm (.390")
Schaller 2000	53,5 mm	2	56 mm	10 mm
Schaller vintage	53,5 mm	2	74,3 mm	10 mm
Wilkinson ("recessed")	54 mm (2-⅛")	2	55,9 mm (2.2")	9,7 mm (.382")

Tune-O-Matic Gibson Style Routing

             Tune-O-Matic Recessed   Tune-O-Matic "Strings through the body"
Tailpiece    ..........o......
Tailpiece    ....o............     ....o.o.o.o.o.o...
Bridge       ..o..........o...     ..o............o..

Model	E/e	Bridge	Tailpiece	Tailpiece Top	Tailpiece Bottom	Tailpiece Ø
Tune-O-Matic	ca. 52 mm*	74 mm (2.91")	approx 82 mm*	38 mm (1.49")	41 mm (1.61")	approx. 11 mm (0.44")

Instead tailpiece - there may be "strings through the body" drillings.

Other Rare Bridge Variants

• Wrap-Around (bridge-tailpiece combo - the strings are installed through the front side and wrapped around)
• Jazzmaster®
• Jaguar®
• Bigsby®
• Kahler®

Pickup Routing

• Single Coils (Strat)
• Single Coils (Tele Neck)
• Single Coils (Tele Bridge)
• Humbucker
• Wide Humbucker *
• Mini Humbucker
• P90
• Lipstick Tube
• Jazzmaster

*Wide Humbucker (same as Seymourduncans "Trembucker" or Dimarzios "F-spaced Hambucker") can be used for guitars with larger string distance with standard "Humbucker Routing". Measure from the middle of the high string to the middle of the low string, directly over the pickup. If the distance is greater than two inches or 50mm, go for a Wide Humbucker.

Exact specifications can be found on the manufacturer's website like:

bareknucklepickups.co.uk - dimensions

In addition to classic HH routing (2X hambuckers), there are the following variants: - SSS (Strat, Nashville Tele) - HSS (Strat Humbucker im Steg, Modern Player Tele) - HSH (Strat), - HS (Strat, 72 Tele) - SS (Tele), - HP90 (Yamaha Pacifica), - S (Tele Esquire), - and some other exotic combinations

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Tuning Machines

Tuning Machines Options: - Configuration: 3L+3R (Gibson style), 6-in-Line (Fender style), 4L/2R (Musicman style) - Ratio - for 1x winding around the shaft head - 1x rotation necessary. Larger ratio (1:18 > 1:14) allows finer adjustments. - Standard vs Locking - with locking tuners strings are inserted through the axle bore and fixed by a screw from the outside

Bridges

Guitar bridge has large influence on playability (mainly through string spacing). Wider string spacing is better for finger-picking style, narrow spacing gives easier control when playing leads with distorted tone. Bridge and Pickup Routing chapter above describes common bridge categories with string spacing specification.

Bridge form and material have also some influence on sound. Good manufacturers provide detailed product information on their pages:

ABM - Aluminium, Bell Brass and Steel comparison - indicates that Bell Brass and Steel shape the guitar sound with character, while Aluminum acts largely neutral in the transfer of tone.

Hardware Parts Checklist

The following list summarizes the accessories that are required to complete your own guitar building project

• Jacks & jackplates
• Neck plate (neck-to-body)
• Pickguard or pickup mounting rings
• Screws for all parts above
• Control plate (only for for standard tele)
• String ferrules (String-thru Top or Bottom - if you use "string through body" instead of bridge)
• String retainers. see premierguitar.com article about design and construction
• Strap holders

For each screw, the hole must be pre-drilled to the core diameter (not outer diameter)

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Electronics

Electronics exerts greatest influence on the overall sound of a solid-body electric guitar.

buildyourguitar.com - The Secrets of Electric Guitar Pickups by Lemme - "If you know the resonant frequency and height of the resonant peak, you know about 90 percent of a pickup's transfer characteristics. Some other effects cannot be described using this model, but their influence is less important".

Frequency response of a magnetic pickup may look like this

Sound group	Resonant frequency	Resonant peak	Example Pickup
bright	3 - 6kHz	high peak	Fender single coils
powerful	2 - 3kHz	medium high peak	Gibson PAF
mellow	1.5 - 2kHz	low peak	Rolling back tone pot

Following topics change resonant frequency and resonant peak:

• Pickup Properties - position and height of frequency peak vary from type to type.
• Sound Control With Switches - Hambucker coils are switched in series by default, switching them in parallel or using only one of the coils will increase resonant frequency and the sound will have more treble.
• Potentiometer and Capacitor Values changing provides also simple way to change resonant frequency and peak.
• Cable capacitance - longer cable will lead to lower resonant frequency.
• Amp input impedance

Pickup Properties

• Wiring: 1, 2, 3 or 4-Con­ductor (4-Con­ductor allowing most flexible wiring)*
• Position: Bridge, Neck, Midd­le
• Symmetrical vs asymmetrical connection type
• Output: low(vintage), medium, high (vintage used often for jazz and blues)
• Passive vs. Active (Active often used for distortion sound)
• D.C. Resistance: indication how much output a pickup will have
• E.Q. chat: A general idea as to the Bass, Mids and Treble.

seymourduncan.com - pickup selector
dimarzio.com - pickup picker

Classic humbuckers are asymmetrical. They are internally wired in series (i.e. serial - brings more power) in opposite phase (less noise). The current multi-Con­ductor PUs offer the option of switching the coils differently using push / pull pots, mini switches, toggles, mega switches and rotary switches, and allow broad control over the sound directly on the guitar.

Con­ductors	Connection Type	Coil Split	Seriell/Parallel	Phase Switch	Example
1x	Asymmetrical	Humbucker Mode	Seriell	No	Shadow AZ48
2x	Symmetrical	Humbucker Mode	Seriell	Yes	Fender Wide Range (Mexico)
2x	Asymmetrical	Humbucker & Single Coil Mode	Seriell	No	Benedetto B6
3x	Symmetrical	Humbucker & Single Coil Mode	Seriell	Yes	viele aktive PUs
3x	Asymmetrical	Humbucker & Single Coil Mode	Seriell and Parallel	No	PRS 59
4x	Symmetrical	Humbucker & Single Coil Mode	Seriell and Parallel	Yes	all 4-Con­ductor PUs

Sound Control with Switches

Switch	Coil Split	Seriell/Parallel	Phase Switch	PU switch
Toggle Switch	-	-	-	y
Blade Switch "Fender"	-	-	-	y
X-Way-Blade "Megaswitch"	y	y	y	y
Mini-Switch SPDT(ON/ON)	y	-	-	-
Mini-Switch SPDT(ON/OFF/ON)	y	-	-	-
Mini-Switch SPDT(ON/OFF/ON)	y	-	y	-
Mini-Switch DPDT(ON/ON)	y	y	y	-
Push/Pull-Pot DPDT(ON/OFF/ON)	y	y	y	-
Mini-Switch DPDT(ON/ON/ON)	y	y	y	y
Drehschalter	y	y	y	y

• Coil Split - "Single Coil Sound"
• Seriell/Parallel Schaltung - "double Single Coil Sound"
• Phase-Switch - "Out of Phase Sound"

SP = Single Pole, DP = Double Pole, DT = Double Throw

SPDT (ON/OFF/ON):       SPDT (ON/ON):     
0 X X | 0 0 0 | X X 0   0 X X | X X 0

DPDT (ON/OFF/ON):       DPDT (ON/ON):     DPDT (ON/ON/ON):
0 X X | 0 0 0 | X X 0   0 X X | X X 0     0 X X | X X 0 | X X 0
0 X X | 0 0 0 | X X 0   0 X X | X X 0     0 X X | 0 X X | X X 0

Example: "Seriell/Parallel und Coil Split at same time" are possible with 4 Push/Pull Pots, 4 Mini-switches (i.e. duncan triple shot) or by 5-Way Blade Megaswitch

open.guitars (german) - Hambucker Conductor/Coils switching options.

Potentiometer and Capacitor Values

Sound group	Pot	Cap	Examples
standard hambucker	500K	0.047mF	most hambucker equipped guitars
bright	500K	0.022mF	some guitars (U.S. FAT Tele)
brighter	500K	0.01mF	some custom models
brightest	1M	0.01mF	some custom models
standard singele coils	250K	0.022mF	most strat & tele models
jazzy	250K	0.047mF	some teles (ASAT BluesBoy)

http://www.planetz.com/guitar-tone-capacitors-material-types - comparison of tone capacitor material types and capacitance values.

Volume and Tone Potentiometer Options

Group	Pot body Ø	Bushing Ø	Bushing length	Shaft length	Example
standard	24 mm	8 mm	10 mm	19 mm	most fender guitars
mini	17 mm	7 mm	10 mm	'>' 17 mm	many jazz guitars
long	24 mm	8 mm	20 mm	27,5 mm	most Gibson LP guitars

• Resistance: 250K, 300K, 500K, 1M
• Taper: Audio, Reverse Audio, Linear, Balance
• Shaft Type: Knurled, Round & Plain
• Shaft Diameter: 6 mm (0.236 in), 6.35 mm (0.25 in)
• Shaft Length: 17mm, 19 mm (0.75 in), 27,5 mm (1.125 in)

Potentiometer Knob Styles

There are 3 common styles of knobs: - bell - speed - domed

philadelphialuthiertools.com - Choosing the correct knob for your guitar or bass.

Electronics Wiring Schemas

• Solder yourself - seymourduncan
• Solder yourself - dimarzio
• Solder yourself - amplifiedparts
• Solderless - EMG
• Prewired Classic - mojotone
• Prewired Modern - toneshapers

Active Pickups Electronics

Active Electronics tries to reduce dependency from the shielded cable and amp input impedance. However, that needs power to operate, and that's its biggest drawback.

Custom Buffers (german) - used to decouple the guitar electronics from the sound influencing effects on the shielded cable.

Strings

Depending on following options your sound will be more bright or more mellow:

• Construction (Flat Wound/Round Wound)
• Material (Steel/Nickel) and
• Tension

Most manufacturers use following naming convention to describe tension of string set:

Name	'e' site approx.	'E' site approx.
Extra-Light	.008	.039
Light	.009	.042
Regular	.010	.046
Medium	.011	.052
Jazz	.012	.054
Baritone	.013	.056

There are also other hybrid sets available - like "Light Top/Heavy Bottom" and "Balanced Tension" combinations.

daddario.com - you can choose between bright and mellow sounding electric strings.
ghsstrings.com - also bright vs mellow overview, and tension guide (pdf)
thomastik-infeld.com - good jazz and blues strings

Scale Length

A guitar's scale length is length of string between the nut and the bridge.

Scale has a relatively low impact on sound and playability of the guitar. (Compared with other parameters such as strings or pickups).

Longer scale length sound and playability characteristics: - quick response, crisp attack - transparent sound with well-defined basses and heights - larger finger spread - higher string tension at constant gauge

Shorter scale length sound characteristics: - warmer - more sustain and longer decay

Common Scale Length:

• 572 mm (22.5") or shorter - ¾ & some travel guitars
• 596,9 mm (23.50") - Fender Jazzmaster/Jaguar guitars
• 629 mm (24.75") - many Gibson guitars
• 635 mm (25") - many PRS guitars
• 648 mm (25.5") - many Fender guitars
• 650 mm (25.5) - typical classical guitars
• 686 mm (27") or longer - Baritone guitars

Woods

Woods	Sound¹	Weight²	Used for³	Looks
Alder	bright	medium	T/B	bright, simple
Ash	bright	medium	T/B	bright, simple
Basswood	neutral	light	B	bright, simple
Bubinga	bright	medium	T/B/N/F	red, often grained
Ebony	bright	heavy	N/F	dark
Maple	very bright	heavy	T/B/N/F	bright, often grained
Koa	warm	medium	T/B/N	dark, grained, attractive
Korina	warm	medium	T/B/N	grained, attractive
Mahogany	warm	medium	T/B/N	red
Poplar	neutral	medium	B	bright, simple
Rosewood	warm	medium	T/B/N/F	dark
Sitka Spruce	neutral	light	T/B	bright, simple
Swamp-Ash	neutral	light	T/B	bright, attractive
Walnut	bright	medium	T/B/N	gray, attractive
Wenge	bright	heavy	T/B/N/F	dark

¹ Sound: the diagram for effects on tone stands mainly for acoustic instruments and NOT for solid body guitars, where other components have much larger impact on sound. Thus, a mahogany electric guitar can sound bright despite the representations below. ² Weight may vary for the same variety. ³ Used for: T - Body Top | B - Body | N - neck | F - fretboards

frudua.com - graphical examples for body and neck woods showing relationship between wood hardness, its density and tone.